#Practica musica writing scales full#These are not full descriptions, just the highlights of each scale or mode: Just know what it is that is most important about each. So: don't worry about maintaining the nature of a particular mode (unless this is a school assignment). So the main thing to remember is that the terms "scale" and "mode" are useful in describing the nature of certain melodies, but that doesn't mean those melodies necessarily stick to the notes of a particular scale or mode. Melodies can mix modes, with one part seeming minor and another part major, etc. A mostly minor melody that frequently uses a minor second above the tonic may be called Phrygian, just because that minor second is the main defining characteristic of the Phrygian mode. If a melody that is otherwise "minor" tends to use a raised 6th degree the term "Dorian" will apply, even if other notes of the Dorian mode are not present. Is the 7th degree frequently raised? You could call that "Harmonic minor." Are there places where the 6th degree gets raised too when ascending to a raised 7th? That's called "Melodic Minor," but the same tune may have a low 6th and 7th in descending passages. "Minor" will of course emphasize the minor third above the tonic, and we can use further descriptive terms depending on what else happens. Those are two important characteristics of a major melody the other notes of the major scale don't need to be there and we still feel that "major" is a good description. So to say that a melody is "minor" or "major" or "Phrygian" or "Dorian" means that it has certain characteristics associated with that scale or more.įor example, a major melody will emphasize the major third above the tonic and will also use a leading tone below the tonic (i.e. "Scale" or "mode" are terms that can be used afterward to describe the pitches that ended up forming the melody.Īnd as you say, their order is not going to be just ascending or descending. and forget that really we just should just think of the melody. But part of the answer is that "scales" don't really precede "melody." We are very used to thinking that we are now going to write a melody in major, or in minor, or Dorian, etc. In other words, if the quality of a scale is based on the arrangement of tones and semitones in a given order, doesn't changing the order change the quality?- TJĪnswer: I think a lot of people have probably wondered the same thing. Question: If I am moving from note to note within a scale or mode, and not following the pattern up or down from beginning to end, then how is the particular quality of that scale or mode maintained. Work on the Tapmaster as directed by instructor (25 points for first 8 week goal, 25 points for second 8-week goal).Changing the order of scale notes Does changing the order of scale notes change the scale quality?.You may take two weeks to get through each chapter. Work on one chapter of the Kraft dictation tapes (10 pts per chapter - maximum of 8 chapters, 80 points).sing and clap pieces for a lab supervisor (up to 10 pts.The following lab supervisors are available for our class: You will fulfill the assignments either independently, with the help of a lab supervisor, or with the help of the instructor. These skills fall into the following categories:Įach week you will have assignments in all or many of these areas. Musicianship will cover a wide variety of skills intended to improve musical hearing and performance. Otherwise, you will receive a failing (F) grade. If you plan to discontinue your attendance in this class, you must fill out a drop slip and submit to the Admissions office. Required Textbook: Music for Sight Singing by Robert W.
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